Hello Everybody!
Here, once more our Drawing Challenge! This time we decided to Illustrate Summer.
Art By Vincent Lau.
Art By Dominique Wu.
Art By Katia Grifols.
More art soon!
Saturday, July 12, 2014
EArtz: Summer!
Hello Everybody!
Here, once more our Drawing Challenge! This time we decided to Illustrate Summer.
Monday, June 30, 2014
EArtz: My favorite book when I was a kid!
Hello!
We started the "EArtz" at the Entertainment Arts Club. Every two weeks we will set a new topic and all of our fellow artists will do an illustration. Our goal is to collect and eventually publish all our work!
Check our tumblr too: http://accdentertainmentarts.tumblr.com
Here the topic for this week:
My Favorite book when I was a kid.
Chris Jimenez
Louisiana Ramos
dominiquewu.com
Katia Grifols
Thursday, April 24, 2014
CTN Interview: Elsa Chang
Hello everybody!
Sorry for late posting, but here we have another great experience tom CTN!
Today we have Elsa Chang, that not only is an Art Center Alumni, but an incredible talented artist and the sweetest girl.
Elsa Chang
- A bit about Elsa-
I am currently a character designer at Paramount Pictures. Previously I was a visual development artist at Sony Pictures Animation and a visdev trainee at Walt Disney Animation Studios.
- Elsa's Blog: http://elsasketch.blogspot.com
-
When did you graduate?-
I graduated Fall 2010.
-How long have you been attending to CTN?-
I've been going to CTN since the beginning in 2009.
-How you like it so far and why?-
I love attending CTN because of the connections I make and the incredible talent there. Every year there are fresh artists along with established ones and it's always inspiring to be there. I went the very first year they opened when I heard a couple of Art Center students talking about conventions. A few months earlier I went to my first San Diego Comic-Con and that was the first convention I've ever attended and then I decided to go to CTN since I liked the Comic-Con experience. CTN was smaller but was more artist and animation focused, which I loved, and I practically knew or knew of everyone there so it was very welcoming as well. I first tabled at CTN in 2012 with my friend Tuna Bora. That was a really fun experience and we got to meet a lot of great people who walked up to our table and chatted with us.
-What would you suggest for ACCD students to do when they go to CTN or conventions?-
Decide whether you're going to attend CTN a few months before the event and take some time to prepare a portfolio. It can be small, 10-15 pages of your best work or if you feel ready you can bring a fuller portfolio. Include lots of sketches with your finished pieces and always carry around your business cards.
-Any tips for us?-
Relax and don't be nervous going to CTN, all the artists I've met there are incredibly nice and are there to support artists so say hi to the people you admire and don't be shy :)
Thank you so much Elsa for sharing with us!
Monday, March 24, 2014
CTN Interview: Robbie Erwin
1) What term are your, or when you graduated. Talk about your experience at CTN: How was getting ready, what did you expect, if it was accomplished, what did surprise you, and what would do different or better next time?
I graduated from Art Center in August of this year. This was my first year exhibiting and second year attending. This year’s CTN was even bigger and the whole experience was a blast. I started working on new art for the show in October but, broke my foot the same month and started a new job so I didn’t have any new work to show at CTN. Next year will be different. My main goal for this CTN was to network and to show my work to a larger audience. Having the table helped me accomplish both of those things. I was surprised by how much they improved the new talent tent, the traffic was actually better than I expected. I am already making plans for next year; you’ll have to come to CTNX14 to find out!
2) Will you do it again? Was it good profit?
I will definitely be attending next year. Profit was okay but we didn’t spend a lot of money this time around because we didn’t know what to expect in the way of sales. I know at this point of my career that I am still unknown and wasn’t going to have a large demand for prints of my artwork, so I only printed a few at first just to see how they would sell. Michael and I put together a collection of sketches and sold that alongside our prints. The feedback was good and we sold a fair amount of both prints and books. Knowing now what type of art the attendees are looking for will greatly increase our revenue next year.
3) Did you learn anything new from doing this? Any tips for people that may want to have their own booth on the future?
Most of all be outgoing! Say hello to people as they walk by and try to strike up conversation. Keep it small your first time exhibiting at CTN or any other convention. Use it as a learning experience and a tool to gauge how others receive your artwork. Be gracious and open to hearing other people’s opinions about your artwork.
Thanks!
Thursday, February 27, 2014
CTN INTERVIEW Ileana Soon
Ileana Soon
Term 5.5
1. How was getting ready for CTN? What did you expect from CTN? How did you like it? Did you show your portfolio?
1. All I had to do was to get a portfolio ready to show basically. It was a bit hard to do because it was wk 10 and scholarship was due the same week.
I expected to meet people, network, be inspired and to learn a lot from all the amazing artists there. It was fun though quite crowded. Yes I showed my portfolio.
2. How was the crits? Was it helpful?
2. Crits were really helpful. Pointers were given in terms of layout, skills and what to improve on. Next time I would prepare my portfolio in advance instead of doing an adhoc job putting things together. No funny stories in particular. I would network more next time definitely. Chat more with artists and bring business cards and a digital portfolio on my ipad.
TEA WITH ANN March 12
Entertainment Arts Tea with Ann
Wednesday, March 12th at 1:00p
Hillside, ELL 100
Wednesday, March 12th at 1:00p
Hillside, ELL 100
Go and voice your concerns about the track!
We all know you got something to say.
Stay classy!
CTN INTERVIEW SUSEY CHANG
SUSEY CHANG
7th Term
1. How was getting ready for CTN? What did you expect from CTN? How did you like it? Did you show your portfolio?
1. I'm not sure what I expected, except for seeing the countless booths of talented artists. Nonetheless, I enjoyed my CTN experience very much. I didn't bother preparing a portfolio because my main purpose there was to learn whatever the professionals had to share.
2. How was the crits? Was it helpful? What would you do better or different next time?
2. It really is a great place to network and get great advice though. The advice from workshops and talks were wonderful. I wished they never ended. Now that I experienced the reality and purpose of CTN, I know what to prepare for the next time i go.Any tips or funny stories?I guess for tips for CTN, take advantage of the talks and workshops. Do everything you can there. Prepare yourself for a fun, hectic, adventurous weekend. And most importantly, listen, learn and have fun!
7th Term
1. How was getting ready for CTN? What did you expect from CTN? How did you like it? Did you show your portfolio?
1. I'm not sure what I expected, except for seeing the countless booths of talented artists. Nonetheless, I enjoyed my CTN experience very much. I didn't bother preparing a portfolio because my main purpose there was to learn whatever the professionals had to share.
2. How was the crits? Was it helpful? What would you do better or different next time?
2. It really is a great place to network and get great advice though. The advice from workshops and talks were wonderful. I wished they never ended. Now that I experienced the reality and purpose of CTN, I know what to prepare for the next time i go.Any tips or funny stories?I guess for tips for CTN, take advantage of the talks and workshops. Do everything you can there. Prepare yourself for a fun, hectic, adventurous weekend. And most importantly, listen, learn and have fun!
CTN INTERVIEW JENNY CHUI
Jenny Chui
Let's just say 6.5 Term
1. How was getting ready for cTN? What did you expect from CTN? How did you like it? Did you show your portfolio?
1) Getting ready for CTN was stressful because I kept thinking about my portfolio. Putting together a portfolio, within a deadline, that was acceptable with what I had so far is difficult. I had a lot of non-art center people (because they are the target audience) look at it and a few art center teachers look at it before I finalized my portfolio. I expected CTN to be a place where I would be able to shop my portfolio around and to get feedback. I liked CTN a lot!!! Yes, I did show my portfolio.
2. How was the crits? Was it helpful? What would you do better or different next time?
2) The crits were quick and helpful. Very quick. Each reviewer had a timer on and you got a max of 10 minutes. I wouldn't do anything any different next time. I was pretty prepared.
here's my portfolio!!
Any tips or funny stories?
TIPS!!!~~~~~~~
LEARN HOW TO TALK TO BUSINESS PEOPLE!! Half the people I showed my portfolio to are NOT artists!! They are in HR!! You NEED to learn how to talk as if it was a formal interview. You have 10 minutes to prove to the recruiter why you deserve their contact information. Choose your words wisely, do NOT speak unless spoken to, and be ARTICULATE when asked "what do you want to do?"
I can't tell you how many reviews I've eavesdropped on where the person being reviewed kept saying "like." STOP SAYING "LIKE" EVERY 5 SECONDS. It makes you seem uneducated and unprepared.
DON'T BE TOO SCARED TO SHOW YOUR PORTFOLIO. The worst thing you could ever do is spend all this time and energy in a portfolio that might be going in the wrong direction!!! Have your portfolio reviewed by several people every term!!! Even if your portfolio isn't finished, you need to know what works and what doesn't work along the way.
jennywwchuiportfolio.blogspot.com
Let's just say 6.5 Term
1. How was getting ready for cTN? What did you expect from CTN? How did you like it? Did you show your portfolio?
1) Getting ready for CTN was stressful because I kept thinking about my portfolio. Putting together a portfolio, within a deadline, that was acceptable with what I had so far is difficult. I had a lot of non-art center people (because they are the target audience) look at it and a few art center teachers look at it before I finalized my portfolio. I expected CTN to be a place where I would be able to shop my portfolio around and to get feedback. I liked CTN a lot!!! Yes, I did show my portfolio.
2. How was the crits? Was it helpful? What would you do better or different next time?
2) The crits were quick and helpful. Very quick. Each reviewer had a timer on and you got a max of 10 minutes. I wouldn't do anything any different next time. I was pretty prepared.
here's my portfolio!!
Any tips or funny stories?
TIPS!!!~~~~~~~
LEARN HOW TO TALK TO BUSINESS PEOPLE!! Half the people I showed my portfolio to are NOT artists!! They are in HR!! You NEED to learn how to talk as if it was a formal interview. You have 10 minutes to prove to the recruiter why you deserve their contact information. Choose your words wisely, do NOT speak unless spoken to, and be ARTICULATE when asked "what do you want to do?"
I can't tell you how many reviews I've eavesdropped on where the person being reviewed kept saying "like." STOP SAYING "LIKE" EVERY 5 SECONDS. It makes you seem uneducated and unprepared.
DON'T BE TOO SCARED TO SHOW YOUR PORTFOLIO. The worst thing you could ever do is spend all this time and energy in a portfolio that might be going in the wrong direction!!! Have your portfolio reviewed by several people every term!!! Even if your portfolio isn't finished, you need to know what works and what doesn't work along the way.
jennywwchuiportfolio.blogspot.com
CTN INTERVIEW BRYAN WONG
Bryan Wong
1. What term are you, or when did you graduate? Talk about your experience at CTN. How was getting ready, what did you expect, was it accomplished, what surprised you, what would do different or better next time?
1. I graduated Spring term 2012, so it's been almost 2 years now.
1. What term are you, or when did you graduate? Talk about your experience at CTN. How was getting ready, what did you expect, was it accomplished, what surprised you, what would do different or better next time?
1. I graduated Spring term 2012, so it's been almost 2 years now.
Preparing
for CTN was a lot of work. I knew I wanted to have enough of my graphic
novel done to sell at CTN, so I pretty much stopped looking for
freelance work for a month or two. I was treating it like an investment
in future work and connections, this would be the first time most people
would be seeing my work, so I really wanted to make a solid first
impression.
There's a lot more to it than just filling out forms for a table, you need to come up with promo material, figure out what merchandise you're going to need and which vendors you're going to be using for that merchandise, make sure you've got enough business cards to go around, and make sure to send it all with time for shipping.
It was a lot more expensive than any of us expected, but we wound up getting pretty solid results, even when we were going with our cheapest options. I'd say if there's one thing that really helped us in making sure that things came together correctly and on time, it was graduation. During my graduation term, I scheduled a good week or so worth of time to make mistakes, backtrack or compensate for unforeseen complications, and I wound up needing almost all of that time. We treated preparations for CTN with the same sort of time considerations, so our team never panicked when we had to go back and fix something, we knew we had time.
The nice thing about doing this convention for the first time is knowing what to expect for the next time. If at all possible, I'm going to check out the space I get to present in next time prior to setting up, we vastly overestimated the amount of room we were going to have and wound up having to awkwardly wedge our banners together as a result. Space is at a premium, especially when you're sharing a table. What I'm really looking forward to is all the stuff I'm not going to have to make again, I've still got tons of copies of my graphic novel (only $8 a piece, plug plug), business cards, displays and a banner that I won't have to worry about picking up again. Other than that I'm going to pound vitamin C like crazy the next time I'm at a con, when you're around that many people from all over the place it's hard not to get sick.
2. Will you do it again? Was it good profit?
There's a lot more to it than just filling out forms for a table, you need to come up with promo material, figure out what merchandise you're going to need and which vendors you're going to be using for that merchandise, make sure you've got enough business cards to go around, and make sure to send it all with time for shipping.
It was a lot more expensive than any of us expected, but we wound up getting pretty solid results, even when we were going with our cheapest options. I'd say if there's one thing that really helped us in making sure that things came together correctly and on time, it was graduation. During my graduation term, I scheduled a good week or so worth of time to make mistakes, backtrack or compensate for unforeseen complications, and I wound up needing almost all of that time. We treated preparations for CTN with the same sort of time considerations, so our team never panicked when we had to go back and fix something, we knew we had time.
The nice thing about doing this convention for the first time is knowing what to expect for the next time. If at all possible, I'm going to check out the space I get to present in next time prior to setting up, we vastly overestimated the amount of room we were going to have and wound up having to awkwardly wedge our banners together as a result. Space is at a premium, especially when you're sharing a table. What I'm really looking forward to is all the stuff I'm not going to have to make again, I've still got tons of copies of my graphic novel (only $8 a piece, plug plug), business cards, displays and a banner that I won't have to worry about picking up again. Other than that I'm going to pound vitamin C like crazy the next time I'm at a con, when you're around that many people from all over the place it's hard not to get sick.
2. Will you do it again? Was it good profit?
2. I'll definitely
do it again, Max, Eric and I have already started talking about which
con to hit next. Money-wise I expected I'd either operate on a slight
loss or break even on CTN this year, so I was expecting not to make all
of my money back, which I didn't. Still, I moved a pretty decent amount
of books and prints, nearly ran out of business cards and made a lot of
great contacts, all of which are pretty good for a couple of no name
recent grads at their first convention. At this point, as someone who's
trying to grow his name recognition and the audience for his story, I'm
all right with taking a slight financial loss for a lot of really great
exposure.
Just in this particular instance, though. If anyone's thinking about paying me for a job in the form of "exposure", just understand I'll be doing that job in the form of "not doing it."
3. Did you learn anything new from doing this? Any tips for people that may want to have their own booth on the future?
Just in this particular instance, though. If anyone's thinking about paying me for a job in the form of "exposure", just understand I'll be doing that job in the form of "not doing it."
3. Did you learn anything new from doing this? Any tips for people that may want to have their own booth on the future?
3. I learned that
it can be pretty exhausting to sit and talk for 10 hours straight. Even
for someone like me with an on-again off-again love affair with the
sound of his own voice, you get tired pretty quickly. I'm hoping that's
something I can just build up a tolerance for over future conventions,
because by a certain point every day I felt like I was verbally
devolving into Tarzan-speak. I'm also thinking I've got to get myself
something that can scan credit cards, I lost a handful of sales because
people didn't have cash on hand.
I'd absolutely say getting a booth at CTN was positive experience, and to anyone thinking about doing it next year I'd say go for it, but make sure to err on the side of being over prepared. Make inventory lists of everything you're going to need (and then check them twice, Santa style, because you definitely forgot something), figure out the size of the space you'll be taking up, plan things as far in advance as you can.
If you're going to be sharing a table, make sure it's with someone you get along with, someone reliable, and someone whose art style complements yours. Communication on a team is key, Max, Eric and I would try to get together once a week in the months leading up to CTN. Mind you, a lot of that was to watch Breaking Bad.
Bring a sweater, too. Max, Eric and I wound up exhibiting in the tent outside, and it can get kind of chilly in the evening. Maybe bring something to snack on while you're at it.
Have fun!
I'd absolutely say getting a booth at CTN was positive experience, and to anyone thinking about doing it next year I'd say go for it, but make sure to err on the side of being over prepared. Make inventory lists of everything you're going to need (and then check them twice, Santa style, because you definitely forgot something), figure out the size of the space you'll be taking up, plan things as far in advance as you can.
If you're going to be sharing a table, make sure it's with someone you get along with, someone reliable, and someone whose art style complements yours. Communication on a team is key, Max, Eric and I would try to get together once a week in the months leading up to CTN. Mind you, a lot of that was to watch Breaking Bad.
Bring a sweater, too. Max, Eric and I wound up exhibiting in the tent outside, and it can get kind of chilly in the evening. Maybe bring something to snack on while you're at it.
Have fun!
Wednesday, December 18, 2013
CTN INTERVIEW JENITH B. SHON (BUMSUK)
Jenith Bumsuk Shon
1. What term are you, or when did you graduate? Talk about your experience at CTN. How was getting ready, what did you expect, was it accomplished, what surprised you, what would do different or better next time?
1. I graduated spring 2013.
As an attendee, I was there twice. And this was my first participant experience. I really hadn't expected much from the event. But, later I thought this could be a good reason to rebuild my portfolio. So, I started drawing and painting. It was really fun for me just the process itself because after the graduation from Art Center, I didn't do anything. Anyway, after I finished (I thought I did....), found I missed some things like where to print or how many, or else. I was expecting i could find some relationships or connection related with job. But, luckily just few days before the CTN, a company offered a job test, and I passed it. They wanted have details for the job, but the day they wanted was the first day of CTN, I had to postpone it to next monday. Well, I accomplished what I wanted even before.... So, my goal had been changed a bit from connection to observing and learning.
2. Will you do it again? Was it good profit?
At the first day of CTN ..... All participants were so surprised because there were much many more people than we expected. It was like Saturday from previous CTN. I was so busy talking and watching people. I realised I wasn't fully ready for the show. Because on my table there were only my business card and portfolio. Not like the other table selling many prints such as their drawings and paintings. I had to be satisfied with just talking to people.
The time went so fast during the event. When I felt really tired, it was already the final day, final time.
Well, I know now what I did wrong, and what I can do better if I go again. (most likely I will.... I hope)
3. Did you learn anything new from doing this? Any tips for people that may want to have their own booth on the future?The Art Center people who did well, have their own style, which go with the industry. All my friends from the school agree current Art Center Illustration Entertainment Art Track is out of fashion, getting too old. The people I know who was the most popular star from the studio, did just whatever the person wanted on his/her portfolio not following teacher's direction.
I felt so lame when I found that at there watching them having nice opportunities. I was so busy just doing the homework and not facing myself enough when I was in Art Center.
Anyway, that was an expensive education for me to realize that SIMPLE fact.
I'll try to have fun and try to practice PROPERLY this time for the next year show.
Yes, I want it again.
If there are people considering if going there, or not.... Just go. Just, shut up and go.... next year..... and I hope I see you there.
http://thebumsuk.com/
1. What term are you, or when did you graduate? Talk about your experience at CTN. How was getting ready, what did you expect, was it accomplished, what surprised you, what would do different or better next time?
1. I graduated spring 2013.
As an attendee, I was there twice. And this was my first participant experience. I really hadn't expected much from the event. But, later I thought this could be a good reason to rebuild my portfolio. So, I started drawing and painting. It was really fun for me just the process itself because after the graduation from Art Center, I didn't do anything. Anyway, after I finished (I thought I did....), found I missed some things like where to print or how many, or else. I was expecting i could find some relationships or connection related with job. But, luckily just few days before the CTN, a company offered a job test, and I passed it. They wanted have details for the job, but the day they wanted was the first day of CTN, I had to postpone it to next monday. Well, I accomplished what I wanted even before.... So, my goal had been changed a bit from connection to observing and learning.
2. Will you do it again? Was it good profit?
At the first day of CTN ..... All participants were so surprised because there were much many more people than we expected. It was like Saturday from previous CTN. I was so busy talking and watching people. I realised I wasn't fully ready for the show. Because on my table there were only my business card and portfolio. Not like the other table selling many prints such as their drawings and paintings. I had to be satisfied with just talking to people.
The time went so fast during the event. When I felt really tired, it was already the final day, final time.
Well, I know now what I did wrong, and what I can do better if I go again. (most likely I will.... I hope)
3. Did you learn anything new from doing this? Any tips for people that may want to have their own booth on the future?The Art Center people who did well, have their own style, which go with the industry. All my friends from the school agree current Art Center Illustration Entertainment Art Track is out of fashion, getting too old. The people I know who was the most popular star from the studio, did just whatever the person wanted on his/her portfolio not following teacher's direction.
I felt so lame when I found that at there watching them having nice opportunities. I was so busy just doing the homework and not facing myself enough when I was in Art Center.
Anyway, that was an expensive education for me to realize that SIMPLE fact.
If there are people considering if going there, or not.... Just go. Just, shut up and go.... next year..... and I hope I see you there.
http://thebumsuk.com/
Thursday, December 5, 2013
CTN INTERVIEW VANESSA FUNG
Vanessa Sinying Fung
7.5 Term
1. How was getting ready for CTN?
I think there are two parts to get ready for CTN. For the first part, my portfolio/ website/ printed book version are updated after every term is over. I also had my business card ready with necessary information. Even CTN was a show, I felt better and more professional to wear business causal. I know this is cruel to say but people are still human. They judge people by appearance first. Here comes the second part. I think having my mind set and ready for any criticism was very important because I was meeting so many people from different perspectives. My first impression at CTN was intimating and overwhelming since there were so many good and young artists there who are also looking for opportunity. I believe being open-minded and looking around seeing what’s out there is very helpful to me.
What did you expect from CTN? How did you like it?
Since I am still in school, my goal is to see what’s out there. I collected business cards from people and marked down what companies are in California. One of the most important thing is to practice talking to strangers. In this industry, communication is one of the most important skill. I liked how CTN allows me to take the courage and talk to different people either professionals or the peer. I gained courage and confidence in a conversation and knew how to present myself as an artist.
Did you show your portfolio? How was the crits? Was it helpful?
Yes. I am glad that I was selected to participate in the Raise the Bar interview where participants can have an one on one interview with different studios. For me, different studios are looking for different things from my portfolio. Of course I am not the best candidates every time but I tried to present my personalities and what I wanted to do most. Also, have questions at the end of the interview. My critique was very helpful. I found that my strengths are color and background design and I needed to show more finished paintings. Although my character design is not the strongest, it is still good to include as part of the projects in my portfolio.
What would you do better or different next time?
I will definitely print out the portfolio instead of showing on the computer because I had some technical problems in the middle of an interview which I felt shamed.
Any tips or funny stories?
If you are in upper term, I highly recommend you to go to CTN because you will be exposed to the public. I will get the early bird ticket which save money. In addition, we have more Art Center students as exhibitors this year where I felt our community is getting stronger! Please go support our alumni/peer, help each other, create a supportive atmosphere for Art Center Entertainment Arts! :)
http://vanessafungart.blogspot.com/
7.5 Term
1. How was getting ready for CTN?
I think there are two parts to get ready for CTN. For the first part, my portfolio/ website/ printed book version are updated after every term is over. I also had my business card ready with necessary information. Even CTN was a show, I felt better and more professional to wear business causal. I know this is cruel to say but people are still human. They judge people by appearance first. Here comes the second part. I think having my mind set and ready for any criticism was very important because I was meeting so many people from different perspectives. My first impression at CTN was intimating and overwhelming since there were so many good and young artists there who are also looking for opportunity. I believe being open-minded and looking around seeing what’s out there is very helpful to me.
What did you expect from CTN? How did you like it?
Since I am still in school, my goal is to see what’s out there. I collected business cards from people and marked down what companies are in California. One of the most important thing is to practice talking to strangers. In this industry, communication is one of the most important skill. I liked how CTN allows me to take the courage and talk to different people either professionals or the peer. I gained courage and confidence in a conversation and knew how to present myself as an artist.
Did you show your portfolio? How was the crits? Was it helpful?
Yes. I am glad that I was selected to participate in the Raise the Bar interview where participants can have an one on one interview with different studios. For me, different studios are looking for different things from my portfolio. Of course I am not the best candidates every time but I tried to present my personalities and what I wanted to do most. Also, have questions at the end of the interview. My critique was very helpful. I found that my strengths are color and background design and I needed to show more finished paintings. Although my character design is not the strongest, it is still good to include as part of the projects in my portfolio.
What would you do better or different next time?
I will definitely print out the portfolio instead of showing on the computer because I had some technical problems in the middle of an interview which I felt shamed.
Any tips or funny stories?
If you are in upper term, I highly recommend you to go to CTN because you will be exposed to the public. I will get the early bird ticket which save money. In addition, we have more Art Center students as exhibitors this year where I felt our community is getting stronger! Please go support our alumni/peer, help each other, create a supportive atmosphere for Art Center Entertainment Arts! :)
http://vanessafungart.blogspot.com/
CTN INTERVIEW CHERRY MO
CHERRY MO
Which term are you? I'm 4.5th term.
1. How was getting ready for CTN? What did you expect from CTN? How did you like it? Did you show your portfolio?
1) I was a bit nervous about going to CTN, because I know I'll be meeting so many professionals and artists that I've been following for a long time. At first I did feel a bit overwhelmed, but when the third day came I was hoping it wouldn't end! It definitely gave me a better perspective on the whole industry and motivated me to make my own work. I did show my work, but it wasn't an entertainment portfolio, so I got some mixed reviews.
2. How was the crits? Was it helpful? What would you do better or different next time? Any tips or funny stories?
2) I only showed two companies my work, and the reviews helped me understand what each company's looking for. Next time I would definitely have an entertainment portfolio ready, and go to all the portfolio reviews.. I might even have different portfolios for different companies.
Which term are you? I'm 4.5th term.
1. How was getting ready for CTN? What did you expect from CTN? How did you like it? Did you show your portfolio?
1) I was a bit nervous about going to CTN, because I know I'll be meeting so many professionals and artists that I've been following for a long time. At first I did feel a bit overwhelmed, but when the third day came I was hoping it wouldn't end! It definitely gave me a better perspective on the whole industry and motivated me to make my own work. I did show my work, but it wasn't an entertainment portfolio, so I got some mixed reviews.
2. How was the crits? Was it helpful? What would you do better or different next time? Any tips or funny stories?
2) I only showed two companies my work, and the reviews helped me understand what each company's looking for. Next time I would definitely have an entertainment portfolio ready, and go to all the portfolio reviews.. I might even have different portfolios for different companies.
Sunday, December 1, 2013
CTN Experiences: Dahye jung
Hello Everybody! Here we have another CTN experience ready to go! This time we are interviewing Dahye Jung. She brought her portfolio to CTN, to show around as a first time.
1. Which term are you?
-7th
-7th
2. How was getting ready for CTN?
- It was my first time going to CTN, but pretty much what I did was preparing my portfolio for the studio portfolio checking, and applied for the Raise the Bar Recruiting opportunities, and I checked some valuable workshops and speaking schedule that I want to join.
3. What did you expect from CTN?
- Valuable portfolio reviews and tips which helping me to improve my art works.
4. How did you like it?
<For the portfolio Review>
- Honestly, a little disappointed. The studio reviews were not precise and not straight-forward enough. Pretty much all the reviews studio gave me were just sweet and very general. Lots of cases were not professional and helpful critiques. Or lots of case, the advice they gave me were I already knew. Also Studio reviews were pretty different depends on studio's style. It could be confused to lots of students. For example, Laika and Disney gave me a really different review to me.
- But in a good side, I can see people's reaction for my works and which pieces catch people's eyes and make people happy and surprised. That was valuable. Because it's kind of hard to get a chance to see professional artists' reaction for my art works out of school.
- And individual artists gave me a better and helpful feedback. But when they are busy, their review was not helpful.
5. Did you show your portfolio?
- Yes. I showed it to the Studios (Sony, Laika, Blue Sky, Disney) And also to the individual artists (Pascal Campion, Steven Silver) and Character Design Portfolio checking with 3 character designers.
6. How was the crits? Was it helpful?
- I answered already on the Q 4.
7. what would you do better or different next time?
- I might checked if there's valuable speeches or my favorite artists next time or not on the schedule. If there's no good speeches or my heros, I might not attend CTN next time. Because studio portfolio critics were not either helpful enough or it was too general as much as I already knew about before. Plus, it takes too long time for waiting. It was crazy!! Disney, especially!
8. Any tips or funny stories?
- Check and research artists and speeches first before going. In my case, since I didn't know many good artists' name, so i missed lots of good speeches and workshops. Make your own schedule(plan) and spend valuable times in CTN. Also for the portfolio review, sometimes individual artists give better helpful critiques than studio, which is helpful for improving my works.
Here is her Online Portfolio: http://www.behance.net/dahyejung
and blog: http://www.dahyejungart.blogspot.com/
and blog: http://www.dahyejungart.blogspot.com/
Thanks for reading!
Tuesday, November 26, 2013
CTN Interview #3: BRYAN SIMS
Bryan Sims
http://bryansimsillustration.blogspot.com/
Which term are you/ When did you graduate?
I graduated Fall 2012
1. How was getting ready for CTN?
This year was much different, I actually didn't know if I was going or not so I had very little preparation. In the past I did a lot before hand. I made business cards, put my portfolio together, printed it, and made sketchbooks to hand out.
What did you expect from CTN?
Well, it was my 3rd CTN so I kind of knew what to expect. I wanted to meet new people this time around, which really didn't happen. It was more of a reunion with Art Center friends.
How did you like it?
It was good. In the past I remember leaving very excited or very disappointed because of the feedback that I was given on my portfolio. I have to say though, every year I have left inspired and excited about creating new work and trying to become a better artist. Especially after seeing all the other amazing artists. It is a really good motivator.
Did you show your portfolio?
This year I did not show my work. I have a job I am happy at and it wasn't worth waiting in the long lines. I brought it just in case but I didn't end up having an opportunity to show it.
2. How was the crits? Was it helpful?
In the past the crits were good depending on who you talk to. I have found it, for me, unproductive to show my work to every possible person. If you show it to 20 people you are going to get 20 different opinions, and they will all contradict each other. It is important to know who you're showing your work to. Based on my experience, I would much rather show a recruiter or art director my work rather than one of many artist. If you are going to show someone wouldn't you rather it be someone who knows what the studio is looking for and could give you the best advice? If you do talk to an artist know which ones will give you the best possible crit rather than showing someone and all they say it, "awesome!" One of the best crits that I received was by Marcelo Vignali. He is an artist I'd recommend showing your work to. Chis Oatley and Stephen Silver are also really good people to talk to.
What would you do better or different next time?
I would like to talk to and meet more people. I like the idea of having a booth and promoting yourself that way. You stay put and people come to you. I think that is something I will do next time around.
Any tips or funny stories?
Everyone should go, network, show your work, and have an open mind. Know who you are showing your work to. Submit your work for the raising the bar. I was selected for my character designs last year for the personal reviews and I ended up getting a free pass because of it. I have also been selected to do the breakfast with the pros, which was a lot of fun.
Go to the panels, I have seen some amazing things at those and met some really legendary artist. Last year I saw Tyrus Wong, the year before during Andreas Deja's panel he brought out Richard Sherman who performed a lot of the old Disney songs that he and his brother wrote for Walt Disney. (I am a huge Disney nerd so I was very excited about that.)
I also got to meet my favorite artist one night, Peter DeSeve. I usually don't get nervous but with him I was extremely nervous. I saw he was kind of in a rush walking alone so I quickly introduced myself and geeked out for a second. I asked him if I could get a picture so he said yes. I have my friend take a picture of us. As we look at the camera Peter says,"so are we doing smiles with teeth, no teeth.." My friend says, " got it." Peter, "Oh already? Did it come out good? should we take one more?" My friend, "no its good. It's gestural." So Peter runs off. I'm excited to see the picture. This was my goal this weekend at ctn, meet Peter DeSeve, I did and now I have proof. So I look at the image and this is the "gestural" pic that my friend took.... He looks like he's about to sneeze, we should have taken another.
I graduated Fall 2012
1. How was getting ready for CTN?
This year was much different, I actually didn't know if I was going or not so I had very little preparation. In the past I did a lot before hand. I made business cards, put my portfolio together, printed it, and made sketchbooks to hand out.
What did you expect from CTN?
Well, it was my 3rd CTN so I kind of knew what to expect. I wanted to meet new people this time around, which really didn't happen. It was more of a reunion with Art Center friends.
How did you like it?
It was good. In the past I remember leaving very excited or very disappointed because of the feedback that I was given on my portfolio. I have to say though, every year I have left inspired and excited about creating new work and trying to become a better artist. Especially after seeing all the other amazing artists. It is a really good motivator.
Did you show your portfolio?
This year I did not show my work. I have a job I am happy at and it wasn't worth waiting in the long lines. I brought it just in case but I didn't end up having an opportunity to show it.
2. How was the crits? Was it helpful?
In the past the crits were good depending on who you talk to. I have found it, for me, unproductive to show my work to every possible person. If you show it to 20 people you are going to get 20 different opinions, and they will all contradict each other. It is important to know who you're showing your work to. Based on my experience, I would much rather show a recruiter or art director my work rather than one of many artist. If you are going to show someone wouldn't you rather it be someone who knows what the studio is looking for and could give you the best advice? If you do talk to an artist know which ones will give you the best possible crit rather than showing someone and all they say it, "awesome!" One of the best crits that I received was by Marcelo Vignali. He is an artist I'd recommend showing your work to. Chis Oatley and Stephen Silver are also really good people to talk to.
What would you do better or different next time?
I would like to talk to and meet more people. I like the idea of having a booth and promoting yourself that way. You stay put and people come to you. I think that is something I will do next time around.
Any tips or funny stories?
Everyone should go, network, show your work, and have an open mind. Know who you are showing your work to. Submit your work for the raising the bar. I was selected for my character designs last year for the personal reviews and I ended up getting a free pass because of it. I have also been selected to do the breakfast with the pros, which was a lot of fun.
Go to the panels, I have seen some amazing things at those and met some really legendary artist. Last year I saw Tyrus Wong, the year before during Andreas Deja's panel he brought out Richard Sherman who performed a lot of the old Disney songs that he and his brother wrote for Walt Disney. (I am a huge Disney nerd so I was very excited about that.)
I also got to meet my favorite artist one night, Peter DeSeve. I usually don't get nervous but with him I was extremely nervous. I saw he was kind of in a rush walking alone so I quickly introduced myself and geeked out for a second. I asked him if I could get a picture so he said yes. I have my friend take a picture of us. As we look at the camera Peter says,"so are we doing smiles with teeth, no teeth.." My friend says, " got it." Peter, "Oh already? Did it come out good? should we take one more?" My friend, "no its good. It's gestural." So Peter runs off. I'm excited to see the picture. This was my goal this weekend at ctn, meet Peter DeSeve, I did and now I have proof. So I look at the image and this is the "gestural" pic that my friend took.... He looks like he's about to sneeze, we should have taken another.
http://bryansimsillustration.blogspot.com/
CTN experiences: Victoria Ying
Hello again!
Ready to share more CTN experiences!
Today we have Victoria Ying! She graduated on Fall 2007, and after a bit she became a great Visual Development Artist at Disney Animation features. She has been attending to CTN many times sharing a booth that never stop growing and getting popular with the also Disney artist, and Art Center alumni Mike Yamada. They also Started a business called Extracurricular Activities Design Studio, where they sell their own products, great books and do Workshops. (You guys should check it out because there they are doing great things, are amazing teachers and their product is really pretty and they are really knowledgeable about conventions). They also teach often at CDA.
I hope this inspires you!
We started doing CTN with PecknPaw our group Disney project, after that year I thought "Hey I could make my own book!" and I did, since then we have attended and exhibited every year.
Ready to share more CTN experiences!
Today we have Victoria Ying! She graduated on Fall 2007, and after a bit she became a great Visual Development Artist at Disney Animation features. She has been attending to CTN many times sharing a booth that never stop growing and getting popular with the also Disney artist, and Art Center alumni Mike Yamada. They also Started a business called Extracurricular Activities Design Studio, where they sell their own products, great books and do Workshops. (You guys should check it out because there they are doing great things, are amazing teachers and their product is really pretty and they are really knowledgeable about conventions). They also teach often at CDA.
I hope this inspires you!
1.When did you graduate form Art Center?
FA 2007
FA 2007
2. How long have you been going to CTN?
4 years!
4 years!
3.How you like it so far and why?
We started doing CTN with PecknPaw our group Disney project, after that year I thought "Hey I could make my own book!" and I did, since then we have attended and exhibited every year.
4. What would you suggest for ACCD students to do when they go to CTN or conventions?
CTN for sure, SDCC, maybe Spectrum Live if they are fantasy artists.
CTN for sure, SDCC, maybe Spectrum Live if they are fantasy artists.
5. Any tips or funny stories.
Learn to SELL! be a salesperson and you can make dem big bucks.
Give a look to Victoria Ying's work: http://www.victoriaying.net/
And their Extracurricular Activities Design Studio: http://eca-la.com/
Saturday, November 23, 2013
CTN experiences: Cheryl Johnson.
Hello!
After CTN, we are trying to compile all the experiences we can, form the ones of us that went there with a booth, to show our portfolio or just for fun! So we share experiences and tips that may be useful for us in the future!
Here is Cheryl Johnson, she is 8th term and ready to graduate ! She had a booth shared with Chloe Bristol, and for both of them was their first time!
Here is her experience! I hope you guys enjoy!
1. Talk about your experience at CTN How was getting ready, what did you expect, if it was accomplished, what did surprise you, what would do different or better next time.
Overall, having a table at CTN was an amazing experience. I went last year as an attendee, but for me, having a table was so much better. It's not for everyone, though. To really do well with it, you have to be personable, approachable, all-smiles. You also need to know exactly what you want to say about yourself as an artist.
Getting ready was a lot of work. Some people prep up to a year in advance but Chloe and I decided to do this in August and began preparation in September. It was enough time for us because we didn't do anything too fancy with our table, but if you have big plans, best to start earlier.
I already kinda knew what to expect because I had been to CTN before. What I didn't expect was how many artists were asking ME to look at their work! I never refused, though, and gave them my honest feedback.
Next time around, I'll be working on developing work that is even more unique to me. People who get the best response really have something special they want to tell the world. It's not all just nice, pretty, rendered pieces.
2. Will you do it again? Was it good profit?
Definitely! I plan on doing it again (hopefully with Chloe) next year. I didn't sell anything this time around, but I will next time. What sells best is sketchbooks and FAN ART. People really dig fan art. And pieces focused on characters and character interaction.
3. Did you learn anything new from doing this
any tips for people that may wanna have their own booth on the future?
I learned so much. I learned that the animation world is filled with so many nice, genuine people. Really, it was pretty amazing how nice everyone was. I learned how important it is to have your own, unique voice as an artist if you want to stand out at all. For the most part, everyone there is exceptionally talented, so to stand out, really seek out what you like to do and do that! (Yes, I'm telling you to not listen to your Art Center teachers. Do what YOU want to do.)
Tips: Be nice. Smile a lot and ask lots of questions (be engaging). You never know who is looking through your stuff. It could be someone really important. Show you work to your idols - they will look at it! Come on - who doesn't like looking at art? If you don't get the response you want, don't be discouraged. Just take it as a sign that there is still work to be done and keep moving forward! It's not a "no", just a "not yet".
For those that are not familiar, check Cheryl's work, she is amazing!
Blog: cbjart.blogspot.com
Tumblr: cbjart.tumblr.com
Thanks Cheryl for sharing!
Sunday, October 13, 2013
CALL FOR ENTERTAINMENT-ARTS ENTRIES!!!! Due OCT. 18!
Guysss!!!!
Its our time to Shine!!!!!
Something Lorrie Madden told me once:
"You have all to gain, and nothing to lose."
Don't be afraid to showcase your work. You are a business. Your friends and strangers who get to see your work, will remember it, can could possibly refer you to your next job, but you need to take the initiative and showcase your work. This is good practice.
FICTIONAL SAMPLE
Letssss DO THIS!!!! Lets show everybody WHOWE ARE!!!!!!!
Its our time to Shine!!!!!
Something Lorrie Madden told me once:
"You have all to gain, and nothing to lose."
Don't be afraid to showcase your work. You are a business. Your friends and strangers who get to see your work, will remember it, can could possibly refer you to your next job, but you need to take the initiative and showcase your work. This is good practice.
FICTIONAL SAMPLE
Letssss DO THIS!!!! Lets show everybody WHOWE ARE!!!!!!!
Tuesday, October 8, 2013
What is Going on in LA!
Well Guys..! here are some cool places to visit if you are in LA and you feel getting inspired!
★CTN: Creative Talent network.
Dates: Friday Nov 15 to Sunday Nov.17.
To anyone that doesn't know about CTN... You guys HAVE TO check it! Is essential for anybody that wants to be on the Animation industry.
★CSG: Center Stage Gallery.
http://centerstagegallery.com/schedule/
They hame some cool events related to CTN.
★Gallery Nucleus:
http://centerstagegallery.com/schedule/
They hame some cool events related to CTN.
★Gallery Nucleus:
RISING BY JUNKO MIZUNO
September 21, 2013 - October 13, 2013
Sep 21, 7:00PM - 10:00PM
Sep 21, 7:00PM - 10:00PM
THE RUNAWAYS BY MAB GRAVES
September 21, 2013 - October 13, 2013
Sep 21, 7:00PM - 10:00PM
September 21, 2013 - October 13, 2013
Sep 21, 7:00PM - 10:00PM
THE PHYSICS OF FRIENDSHIP: A TRIBUTE TO THE BIG BANG THEORY
October 19, 2013 - November 10, 2013
Oct 19, 7:00PM - 11:00PM
October 19, 2013 - November 10, 2013
Oct 19, 7:00PM - 11:00PM
★ Q-Pop Gallery:
Q Pop is so excited to be hosting an art show dedicated to this icon of chinese literature and popular culture!!
Monkey King is a character in the classical Chinese epic novel ” Journey to the West “.
Journey to the West is one of the Four Great Classical Novels of Chinese literature. It was written in the 16th century during the Ming Dynasty. Its authorship is attributed to Wu Cheng’en.
Art done by lots of famous people on the Animation Industry.
Opening Reception SEPT. 28 7PM-10PM
★ South African Arts Festival
Date: Friday, October 4th - Sunday, October 6th | Opening Night Reception: 6:30pm-10:00pm
Location: Downtown LA - Please visit sa-artsfest.org
The arts of South Africa saturate downtown L.A. for a weekend rich in cultural connections
Date: Thursday, October 10th | 6:00pm-10:00pm
Location: Downtown LA Historic Core - Please visit downtownartwalk.org for complete listing. Check http://downtownartwalk.org/galleries/
The Downtown Los Angeles Art Walk is a free, self-guided walking tour located between 4th and 7th and Spring and Main along with galleries, restaurants and bars in several surrounding blocks of Downtown LA. What began organically grew into what we recognize today as the Downtown Art Walk with over 50 galleries, dozens of local businesses and a million dollars of entertainment for free to the visiting public. Galleries open as early as noon, and the Art Walk Lounge is open from 6pm to 10pm. Please check the website for the most recent map that includes the surrounding districts.
★Mid-Autumn Moon Celebration
Date: Sunday, October 6th | 12:00pm-6:00pm
Location: Pacific Asia Museum
Enjoy traditional dance and musical performances, Shaolin kung fu, crafts, calligraphy and painting demonstrations, tea, dim sum and mooncake samples and traditional Chinese costume dress up. Plus, explore the arts of Asia in the Pacific Asia Museum galleries. $10 adults, $7 students and seniors. Event included with museum admission and free to members and children under 12. Discounted advance tickets available at midautumn.eventbrite.com.
★Visual Effects Society - Taking Charge as an Artist
Date: Tuesday, October 8th | 7:30pm-9:30pm
Location: The Los Angeles Film School Theater
The Visual Effects Society is the entertainment industry's only organization representing the full breadth of visual effects practitioners including artists, technologists, model makers, educators, studio leaders, supervisors, PR/marketing specialists and producers in all areas of entertainment from film, television and commercials to music videos and games. For full info visit visualeffectssociety.com.
★Los angeles luxury chocolate salon
Date: Sunday, October 6th | 11:00am
Location: Pasadena Civic Auditorium, Pasadena
Life is like a box of… Well, you know the rest. And who doesn’t love chocolate? Every September or October in Pasadena,
hundreds of chocolate aficionados, lovers, fanatics, and addicts head to the Los Angeles Luxury Chocolate Salon. Tickets usually cost $20 during the early bird period, $22 after that. Tickets for children aged 6 to 12 are $10, while kids under 6 enter free.
★LAAFA - 3-Day Seascapes Painting Workshop with Ruo Li
Date: Friday, October 18th - Sunday, October 20th | 6:00pm
Location: Leo Carrillo State Park and Beach
Visit Laafa.org for full info
Ruo Li will teach the basic principles of painting from nature. His emphasis will be on the special skills for painting a seascape by the sea. Mr. Li will talk about how to pay attention to the composition, color tone and strokes when creating a seascape painting. The instructor will make some specific requirements about the assignment for students
★Breaking Ground: 20th-Century Latin American Art
Date: Friday, September 13th - Monday, November 4th | 12:00pm-6:00pm
Location: Norton Simon Museum
In celebration of Hispanic and Latino Heritage Month, the Museum is presenting an exhibition of works from 20th-century Latin American artists. Spanning the period from 1931 to 1985, the featured artworks demonstrate how artists broke new ground, leaving behind or drastically altering artistic conventions to explore diverse forms of modernism.
★ CDA: Concept Design Academy Pasadena:
Date: Sat, November 09 - 2:00pm- 7:00pm
Film Concept Design with Jaime Jones.
Date: Sat, December 07 - 2:00pm- 7:00pm
Color and Composition with Robh Ruppel.
So far as I know!!!
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